The Pack Is the Painting: Evil Biscuit and the Schizocollage Movement Come to Hong Kong

Bitcoin Magazine The Pack Is the Painting: Evil Biscuit and the Schizocollage Movement Come to Hong Kong In 1956, at an exhibition hall in Tokyo, a Japanese artist named Saburō Murakami ran through a row of paper screens, leaving a torn, human-shaped hole in each one.

The audience heard the rip in the moment but likely didn’t understand it.

Murakami belonged to Gutai, the radical postwar avant-garde collective whose members painted with their feet and fought with mud, and his gesture made an argument the art world is still digesting, but ultimately the tearing and the wreckage after were the actual artwork.  Seventy years later, the ripping hasn’t stopped.

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